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Mid 15th century blue/white bowl

 
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 Ming1449
(@ming1449)
Illustrious Member
Joined: 6 years ago
Posts: 2702
Topic starter 28/05/2022 11:34 am  

@sharonp @julia 

Hi Sharon and Julia - 

Sharon, I have copied Julia into this as it is a continuation of dating attribution …

The diamond dipper motif is one of the most common seen on these wares, and continues in use throughout the Ming dynasty …

In the ZT, JT and TS periods, this is seen mostly on guans, meipings dishes, bowls and some stem-cups, although these ate rare. As with all motifs, there are great differences in drawing styles, and these, up to a point, can be used to differentiate between the each period … 

The ZT style is usually drawn in fine, precise lines, each stroke/element been clearly defined, as seen in image 1, a Guan in the Gugong, Palace Museum, Beijing …

In JT/TS periods, the design becomes slightly wider, as on my bowl, the lines are not so fine/precise and the elements and detailing are not so clear, the following examples, I hope, illustrate this …

Image 2, a guan in the Art Gallery, Chinese University of Hong Kong (this piece also has a beautiful drawn peony scroll to the shoulder, the flower petals and leaves very similar to my bowl, but the central blossoms drawn with spiral centres), attributed ti JT/TS periods …

Image 3, a guan in the Metropolitan Museum, New York, attributed to JT/TS …

Images 4/5, another guan in the Gugong, Palace Museum, Beijing, attributed to Jingtai period …

Images 6, a bowl in the Gugong, attributed to Tianshun period …

There are however, many anomalies …

I have seen pieces from ZT princely tombs which exhibit the usual fine/precise style, yet others which exhibit a far loser, less detailed design and which, if not for the dated epithet, would place such wares in to either JT/TS periods. These differences may be down to goods commissioned for burial, the loser style been acceptable for such, or differing workshops/kilns and artists as mentioned previously … 

However, I have also seen pieces that were commissioned for princes/elites attributed to JT/TS were this design appears very close to the fineness and detailing seen on ZT pieces .., 

So, as with all wares from all periods, they are accepted norms but also exceptions to such rules. These three reigns encompass a 29 year period and, as such one must always allow for some flexibility in dating and cross overs between the different periods especially regarding private kiln wares, and look at the object as a whole … 

Stuart 

DAC7281A BB3B 4C83 9285 750E47AAFC6E
A8892246 8A28 4AB3 8597 DBD261E94CA2
0BED0CBA 2E29 402C A3C5 8E687E5AA064
7C1A2A4D F2B1 4885 B3D2 ACFCA02F9F05
5A8907C3 CB6C 4C02 9FBE 8A812A66B270
FB50DFB3 A93C 4BDA B366 99DF3643F36C

   
William Huvar, lucky, Jeremy Beer and 3 people reacted
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 Ming1449
(@ming1449)
Illustrious Member
Joined: 6 years ago
Posts: 2702
Topic starter 28/05/2022 11:48 am  

@steve 

Hi Steve - 

I thought you might like to read Prof John Carswell’s discussion on this painting and his attributed dating of the porcelains included, from his ‘Blue and White’ - Chinese Porcelains around the World’, British Museum Press, published in 2000, pgs. 132/3 …

I would agree to his Hongzhi attribution, another example of type, D. 32.7cm, shown image 3, illustrated in ‘Chinese Blue and White’, old 1978 publication of an exhibition held at the National Museum, Singapore, pl. 43, pg 139 … 

I have a similar large bowl in my collection …

Stuart 

B4A0513F 7AB7 4E75 8C0E B5D6EF2B81B5
DB6C196D D0DC 4AC3 B234 6ECE754B95AD
C4FC8947 A3F5 4226 B49F 3D947AFDE785

   
William Huvar, Sharon P, lucky and 4 people reacted
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 Ming1449
(@ming1449)
Illustrious Member
Joined: 6 years ago
Posts: 2702
Topic starter 28/05/2022 11:53 am  

@julia 

Dear Julia - 

Please feel free to save/keep or discard what you wish of such posts. I only hope they are of some help/use … 

Warmest regards 

Stuart 

 


   
Sharon P, johnshoe, Julia and 1 people reacted
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 Julia
(@julia)
Illustrious Member
Joined: 7 years ago
Posts: 7230
28/05/2022 1:34 pm  

Thank you, Stuart. This is a very informative thread. I think I will have to save all your posts. 😊 


   
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Sharon P
 Sharon P
(@sharonp)
Illustrious Member
Joined: 5 years ago
Posts: 4504
28/05/2022 1:38 pm  

@ming1449 Thank you so much Stuart for the detailed explanation with examples, it is much appreciated. You and your willingness to share knowledge is valued. I will be reading it again several times, workers here today replacing a balcony, as if the hammering and power tools was not enough, they are young and listening to music, give me strength.  Sharon


   
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 Jeremy Beer
(@jbeer2121)
Famed Member
Joined: 4 years ago
Posts: 1678
28/05/2022 2:20 pm  

@ming1449 

Stuart,

To be totally honest, your posts have guided me down the path of Ming porcelains, whether for collecting or for my business.  You always write up such detailed and informative posts, they have helped me greatly.

Thank you for being so forthcoming with these examples, though I must admit I likely will never get my hands on such pieces....

Jeremy


   
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Steve
 Steve
(@steve)
Famed Member
Joined: 5 years ago
Posts: 1768
02/06/2022 1:29 pm  

@ming1449 

Thank you, Stewart. That's very interesting.

I thought the Venetians would have imported at least a few Chinese porcelains by 1514 but it looks like I'm mistaken? They were still quite wealthy at the time and a premiere trading port in the Mediterranean. Would the bowls in the painting have to be the same Syrian bowls? Many of them were made and exported, no?

This post was modified 3 years ago 2 times by Steve

   
Ming1449 and Sharon P reacted
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 Ming1449
(@ming1449)
Illustrious Member
Joined: 6 years ago
Posts: 2702
Topic starter 02/06/2022 2:22 pm  

@steve 

Hi Steve - 

I believe that Prof Carswell is revering to parallel’s with Chinese ceramics found in Syria and Istanbul, or that’s my reading of the text …

The two larger bowls in Bellini’s painting certainly appear to have many of these aspects in overall shape, proportions and designs seen on such late 15th/early 16th century pieces, so Hongzhi/early Zhengde periods …

The ‘hypothetical’ attribution to Bellini’s eldest brother is highly unlikely, for his dates in Istanbul, 1479-80, coincide with the Chenghua period 1465-1487, and production of pieces decorated in rather dense painting style is not thought to have commenced until the very late 1480’s … 

Stuart 


   
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 Ming1449
(@ming1449)
Illustrious Member
Joined: 6 years ago
Posts: 2702
Topic starter 29/03/2024 12:31 pm  

Hi all -

Along with the phoenix/lotus dish, I also collected this bowl from my restorer. The last two images show after/before restoration to the side/rim section … 

A brief update re attributed dating; after much discussion/updated research and debate between other known collectors, scholars and especially my HK teacher, a dating to the early/mid Jingtai period, so 1450/55, would seem appropriate. This is base upon the execution of/detailing seen within certain individual motifs, and known shape, body and footrim/base trimming characteristics … 

Stuart 

6ACD6519 E6AE 4522 A076 DC27FDD7D969
00C4C367 374F 4B92 AB66 147970AE1AC2
B310323A 81F5 43BA AEFB 232EB91B5E81
07DEA8F9 2CEB 4823 8020 121B4B22D577
73C0C798 D59B 4288 8A9D F1CEE3466BB0
55E2D822 5729 4586 9318 387E79ABC3BE
8913FAEF EE50 4800 AD4E 49E58E7862D5

   
gfhandel, RAHawk, AL Boo and 5 people reacted
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Sharon P
 Sharon P
(@sharonp)
Illustrious Member
Joined: 5 years ago
Posts: 4504
31/03/2024 9:05 am  

Thank you Stuart for the additional example slides following the last photo of the beautiful bowl. Sharon


   
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