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Hello, Is someone here have a clue from where this ewer was made? The clay and the glaze look like some of the champa ceramics,
but I can't find that kind of shape. They are many rust spots, maybe from the soil where it was buried?
Thank you
?
Hi,
Welcome to the forum. I don't know anything about these types of wear. The glaze seems quite runny, where did you get it from?
The Koreans made incised celadons, too, so may be worth- checking if you haven't already. I don't remember seeing that shape, but it was over a week ago that I was looking at Korean celadons.
As this thread will now go back to the first page, hopefully someone who can help will see your question.
Julia
Vietnamese jugs usually have very small handles or lugs. The form looks more Korean but if you google Korean jug you see that they have small eyelets on top of the handle.
Birgit
Hi, Thank you very much for the welcome and your replies, I got it from a small shop in south-east Asia where I am staying.
Usualy we don't find many Korean wares heres, but more some Chinese, Thai and Vientnameses ceramics as the maritime trade was very developed then.
You are right about small handle of the vietnamese ewers and the form is not the same, I will search about Korean wares.
May I have your opinion about the many rust spots please, does it looks like a natural process on a old ceramic?
Regards,
Fred
Hi Fred,
I am not sure. I know that iron spots are found on porcelain but whether they rust in damp earth I don't know. I am sure someone else will be able to give an opinion.
Could this piece be from Thailand?
Julia
Hi Fred,
Can you post a picture of the base/bottom?
Todd
take it with a grain of salt
Hi Fred,
Welcome to the forum.
The handle and spout is typical for Song Dynasty Fujian produced Qingbai wares, I also think I have seen the form before.... That said I have my doubts about the glaze, with it being clear at the foot, I don't think it is actually Qingbai, but I am with Todd on wanting to see the foot of the ewer. The Qingbai glazes are usually more opaque, and the modern copies I have seen are usually clear blue/green and crackled to imitate Qingbai.
The glaze on yours appears to be a cream/white glaze with a blue/green tinted clear glaze on top, the iron spots are from inclusions in the paste underneath that bloomed through the glaze upon firing, however on modern pieces, it is often iron and other metallic shavings applied to the still wet glaze. It could be a different type of ware, but it really does appear to be mimicking Qingbai.
Cheers,
Jeremy
I can't really add anything. I agree the form seems Korean, except no eyelet as Birgit pointed out. Also agree the glaze has a Thai look, except the form is not right. Vietnamese examples are more globular in form. I would vote Korean. I suppose if you could locate an example with the same lotus design, that would be a strong indication.
Todd
take it with a grain of salt
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