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Hello, still learning the basics about Chinesse porcelain, 7-8 months in this world the bug is stronger than ever 🙂
I am wondering what does a chip(2,34 chips), crack, hairline or restoration means to a porcelain piece ? How much of the value is lost ?
Is it the same to have one of this flaws on a 17th century Ming piece(or earlier) as for a 19th century piece ?
Thank you !
Best regards
Michael
Hello, Michael
This depends on how rare apiece is, and how bad the damage is most hairline and chips can
effect up to 50% of value or more if it a nicely painted and hard to get piece this will effect it less.
so always pay attention to the details and listen to the folks here about pieces god lucky too you.
John
Hi Michael,
I agree with John.
Cracks, chips or other will affect a say 19th century item by up to say 50% depending on degree of damage and rarity. Unusual/highly detailed items will be less % wise.
Imperial wares will always command high prices regardless of damage.
Earlier Ming period wares are often damaged but still command decent prices.
I suppose in a nut shell if you saw something worth say $100 in pristine condition versus say same with crack or chips then as a rule divide by at least two.
Mark
Complicated stuff. I see very old pieces (Song or Ming) go for nothing because they don't have artistic value, not very beautiful, no delicate painting of the porcelain, and then new pieces, even late 20th century, go for a lot of money ... and after all this, take damage into consideration and many more things to consider.
There is a lot to learn! I am thankful i made very cheap mistakes until now 🙂
Thank you !
Michael
I think it depends where the damage is too? A bad chip on the foot of a plate is ‘better’ than a bad chip on the rim of a comparable plate? So maybe the more obvious the damage the more it affects the price?
For me personally, a hairline isn’t as bad as a chip or a bad crack. I think about how much the damage will affect my ability to the enjoy a piece. I will also think about how much the same piece in perfect condition would be. If the same (or similar) piece undamaged would only be £100 more (but I have to wait for one to turn up), I will wait for the undamaged. If it would likely be £500+ more, I might buy the damaged piece, if it’s not too bad.
Nic
Dear Michael -
This is very subjective - and depends on a number of points including your own perception of the object in question, the rarity - or otherwise - of the piece, the amount of damage and possible restoration costs involved, and whether it is been bought as part of a collection, or acquired to sell on at some point, hopefully for a profit ...
I can remember a time when a piece with the smallest chip or glaze hair line would be dismissed by a large percentage of buyers - whose only concern was 'perfection'. This is no longer the case due to the availability of these undamaged objects becoming much rarer, and the effect this has then had on prises payed at all levels for objects. This in turn has affected the prices for damaged objects, which have increase greatly over the last ten years ...
All collectors/dealers have there own criteria when assessing an object. Personally, if the object meets my own 'criteria', then damage has never bothered me ...
Stuart
I can remember a time when when any even a
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Kangxi vases, Kangxi dishes and chargers, Kangxi ritual pieces, Kangxi scholar's objects, Qianlong famille rose, Qianlong enamels, Qianlong period paintings, Qianlong Emporer's court, Fine porcelain of the Yongzheng period. Chinese imperial art, Ming porcelain including Jiajing, Wanli, Xuande, Chenghua as well as Ming jades and bronzes.
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A free Asian art discussion board and Asian art message board for dealers and collectors of art and antiques from China, Japan, Korea, Thailand, Cambodia, Vietnam and the rest of Asia. Linked to all of the BidAmount Asian art reference areas, with videos from plcombs Asian Art and Bidamount on YouTube. Sign up also for the weekly BidAmount newsletter and catalogs of active eBay listing of Chinese porcelain, bronze, jades, robes, and paintings.
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