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Famille Jaune Dragon / Carp Plaque

 
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 Julia
(@julia)
Illustrious Member
Joined: 7 years ago
Posts: 7223
24/11/2021 2:38 pm  

I found what I wanted, there are two styles of Guangxu dragon but the one on this plaque isn't one of them. Given the size and that odd leg, I am also beginning to feel it is later.

https://www.bonhams.com/auctions/26272/lot/42/?category=list#/


   
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Brian Crowe
 Brian Crowe
(@lotusblack)
Illustrious Member
Joined: 4 years ago
Posts: 4239
24/11/2021 2:41 pm  

@greeno107 Tim I am very fond of these animated plaques and this one is no exception my question is when does something stand as commemorative vs intent to deceive?


   
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Greeno107
 Greeno107
(@greeno107)
Illustrious Member
Joined: 6 years ago
Posts: 2875
24/11/2021 10:51 pm  

@lotusblack I think the intent to deceive is somewhat subjective.  It is hard to say if the artist themselves created the work to decieve...I somehow doubt it.  But the seller, starting with the first person who bought it from the plaques creator knew the tru age, right?

Did they sell it as 'antique' or decorative?  I don't really know that anyone can say for sure.

What can be said is that the quality of the rendering was done with care by a professional, so in that regard, the aristry is not deceptful.

This is why it is so important that the current owner, if they choose to sell the piece down the road, represent the piece honesty to the best of their knowledge.

In my opinion, it has value as art, but not antique.


   
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Brian Crowe
 Brian Crowe
(@lotusblack)
Illustrious Member
Joined: 4 years ago
Posts: 4239
24/11/2021 11:21 pm  

@greeno107 I agree even though is later. I like the artistry very much and believe that’s the real value. 


   
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 John steward
(@john-steward)
Noble Member
Joined: 7 years ago
Posts: 925
24/11/2021 11:33 pm  
68F458BB 3EF7 4047 A067 706E3BA81004
B5ED1BC0 46EF 44D3 A123 A8F50454F091
53457D55 0679 454B B81D 41E3C0A75B15

 

 Hello Brian 
The dragon on the plaque is in and out of the waves as is the one on the Sotheby’s piece. The kangxi is better done as you can see part of his tell come up behind his head and left arm. His tell is down in the waves.Here’s are some 19th century clouds in the same shape as his.this my a pinion John

 

 

 


   
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clayandbrush
 clayandbrush
(@clayandbrush)
Famed Member
Joined: 7 years ago
Posts: 1611
25/11/2021 3:21 am  

Hello all, I am arriving late at this thread.

Dear Julia, who said that the scales of the dragon in the first coil are in the wrong direction? They are perfectly ok, in the same direction of the other scales. Ofcorse the dragon is missing parts, it is behind clouds! And also not completley palced within the frame.

To me this plaque is very nice, a superb example of Guangxu period. I have never seen a later example of this quality. Great piece.

Regards,

Giovanni

 

 


   
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 Julia
(@julia)
Illustrious Member
Joined: 7 years ago
Posts: 7223
25/11/2021 9:02 am  

Brian pointed it out, in an earlier post. I assumed he meant the coil behind the head. If you think they are ok, I shall have to look again.

I am pleased you think it is OK for Guangxu as I was moving away from my earlier impression that it was. So, that means three styles of dragon scales were in use during that period.

Edit: just looked at the scales again and it is hard to follow the contortions but it does appear that Brian is correct. 


   
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 Julia
(@julia)
Illustrious Member
Joined: 7 years ago
Posts: 7223
25/11/2021 9:39 am  

I have just studied some other dragons:  after I read the scales were wrong, I ended up looking at the neck the wrong way. 😊  

 

 


   
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Brian Crowe
 Brian Crowe
(@lotusblack)
Illustrious Member
Joined: 4 years ago
Posts: 4239
25/11/2021 10:36 am  

Happy Thanksgiving to whom is celebrating. I did find this Guangxu example I’m working backwards as I still haven’t found a comparison but it has traits to support the Earlier dating.

6BACF767 2F4A 475D B76A B7DEF538EB41
CFD7A430 1DF2 44B1 BE61 B5548D9AFE34

 

This post was modified 3 years ago 2 times by Brian Crowe

   
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Greeno107
 Greeno107
(@greeno107)
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Joined: 6 years ago
Posts: 2875
25/11/2021 12:03 pm  

@clayandbrush It is quite nice looking, and I have not seen a plaque from the 1970's like this, but I have some fish bowls of similar quality from the 1970's.  I'll take some photos of my fishbowls when I'm at my building tomorrow for comparison.

Can you explain why the construction of the plaque is different than the typical Guangxu/early 20th c. plaques, such as the finished edges and absence of length wise marking from supports used during the firing?  This is a very large plaque, and if Guangxu period, it is surprising that it does not to show some signs of old kiln techniques....even some kiln grit would be expected I think.


   
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Brian Crowe
 Brian Crowe
(@lotusblack)
Illustrious Member
Joined: 4 years ago
Posts: 4239
25/11/2021 1:57 pm  

@greeno107 Tim your observation does have merit. Here is a Guangxu plaque and a modern plaque.

7AC7EA24 4C81 4B82 BF3E 01D3211D19B6
D27EEAD9 2C21 4B1B 90A3 87F5E8620F12

 Modern plaque

DE409541 E98F 4578 ABD6 7FE6DD102B6C
438C435D F34C 472F AF40 A7C892F820BE
84F1DC89 406E 437D B0FD 3C820DF68F77
E357A3C2 E75C 4621 A794 5FD29D4C18B4

 


   
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clayandbrush
 clayandbrush
(@clayandbrush)
Famed Member
Joined: 7 years ago
Posts: 1611
26/11/2021 8:50 am  

Dear Greeno,

I am not sure that ALL Guangxu plaques have those support’s tracks, and ALL later ones are missing them.

Here is a Guangxu plaque that do not exhibit those marks:

https://www.bukowskis.com/en/lots/925238-plakett-porslin-kina-qingdynastin-guangxu-1862-1874

Here a qianjiang plaque by Rob Michiels:

https://www.rm-auctions.com/cn/asian-arts-feb-2017/5027-a-chinese-qianjiang-cai-porcelain-landscape-plaque-signed-wang-ye-ting-1884-1942-20th-c ?

Etc etc

Regards,

Giovanni


   
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Greeno107
 Greeno107
(@greeno107)
Illustrious Member
Joined: 6 years ago
Posts: 2875
26/11/2021 9:28 am  

@clayandbrush The round plaque I think is Guangxu period as described. However, I have noticed that these round plaques do not have the marks on the back, and it is 32cm wide ... not very large, so perhaps supports during firing would not be needed.

The Qianjiang plaque is 20th c., perhaps early 20th c., but it certainly has some later color traits (the blue mountains) that look later.  More importantly, it is only 19.6cm x 12.2cm.... that's really small, so I would not expect any supports used in the firing.

So, yes, I guess you are correct that it is possible for Guangxu plaques to be fired without the supports, but on such a large piece?

Maybe I am wrong about the size....

@thomasumjohnson What are the measurements of your plaque?


   
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clayandbrush
 clayandbrush
(@clayandbrush)
Famed Member
Joined: 7 years ago
Posts: 1611
26/11/2021 10:12 am  

Dear Greeno,

everything that is fired in the kiln has some support, or it is directly lying on a flat surface. It is not matter of being large or small, it depends on firing techniques. Different types of support are seen in any period, for what I know.

Regards,

Giovanni

 


   
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Brian Crowe
 Brian Crowe
(@lotusblack)
Illustrious Member
Joined: 4 years ago
Posts: 4239
26/11/2021 11:22 am  

Closer clearer pictures are needed of the back and edges. I’m still having a hard time with this piece being as such. I see the horizontal rack marks that has been covered with kiln grit. I have seen not one large plaque with manufactured edges on the back and a prefect edge on both sides expect on modern plaques. We are not talking about a small plaque the floor tile tells us it’s large. Modern manufacturing was more accurate in shaping and forming due to automation. My understanding is earlier porcelain was scribed than snapped. That’s why the supports run Vertical to support the entire larger sheet. A wood fire kiln that is firing a large plaque laying on the ground where the temperature could not be controlled coming out with perfect back edges has to be explained. If a piece is to be concluded as a Guangxu period artistry. Being lose and picking and choosing doesn’t help. I want this piece to be Guangxu if so it will be a amazing find and would help me understand that such pieces where produced what to look for. But after looking at several hundred plaques these last few days I also own several myself. I have not found one example of a dragon in this form of perfect finish edges clouds produced in this manner boarding etc. This piece is a good study so far. 


   
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