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Thank you all very much very good information I have a UV light but it didn’t have a blue glow to it ...but my resin Mayan plate did have a glow to it very good tip. I did not pay to much for it I believe I paid around 20 dollars. I do have a couple other things I will need some assistance on. Talk to you all soon.
Thank you all again.
Sorry this took so long. I have copied a few of Mark's copies and links and they were saved all over the place. 😊 Mark said:
Leaving the issue of the stand and box aside and only on the figure itself I can recommend you do the following.
With a loupe carefully examine the finer areas like the eyes, mouth, hands and any areas where the individual/other is sort of leaning or cringed. Especially the clothing and the lower part of the figure where he is in a sitting position. If you have not used one recently, may I suggest you practice a little before examining the figure. Make sure your loupe is clean and clear. You would be surprised how many I have seen even by seasoned collectors that have grubby loupes.
There you will see, upon careful examination if the figure is indeed Soapstone or resin. It won't look natural. You will see areas that have double like effects along with bubbles and seams/lines that are not part of the carving itself, almost blurred like visual with pits, holes or bubbles. Have a look at the base. Any seams, lines, pots, holes or bubbles? If a really good resin then sometimes they forget about the base, and concentrate only on the figure itself. Does any of the detail fade away to nothing and or blurred double like. Like a circle that is sort of glued together, ever so slightly apart. Like a perfect circle that has evidence of pimple like appearance that sort of take form of the circle. Once again will be visible using your trusty loupe.
A good carver will be able to demonstrate great skill with details therein because the stone is very soft. An amateur carver will fail to display the finer details like the inner eyes,mmouth and or fingertips etc etc. A resin will show nothing of the finer detail. Period!
As the materials name suggest it will feel like holding a bar of soap. Resin will not!
Since the front of the figure is fairly detailed, so should the back be. If the contours of the back along with the detail of his clothing are not present then the figure is modern.
There should be some evidence of scratches not present when said was carved, also perhaps when it was being carved. Ever so slight slipped tool marks etc will be seen only via using a loupe.
Soapstone is a very soft stone and will inevitably have some scratches overall. In particular to the base and the outer extremities. If no scratches or unnatural marks then could be either resin or new! Any chips however small will show that it is stone rather than resin. I have never seen a 19th century or earlier Soapstone figure without some form of use/wear and tear.
Figure should be a little bit cool to feel. Not like jade, but similar. Resin will be warmer to feel. Generally speaking Soapstone should be heavier than most known resin. Not important if you don't know the difference or have trouble there. Only experienced collectors know the difference in what is called hefting.
Finally have a look at some genuine examples from sotheby's, christies and bonhams. Pay attention to the detail on the front and back.
..... BTW please check that the figures head has not been glued back on. I have seen many old carvings that have had substantial damage etc.
End.
Thanks again, Mark!
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Kangxi vases, Kangxi dishes and chargers, Kangxi ritual pieces, Kangxi scholar's objects, Qianlong famille rose, Qianlong enamels, Qianlong period paintings, Qianlong Emporer's court, Fine porcelain of the Yongzheng period. Chinese imperial art, Ming porcelain including Jiajing, Wanli, Xuande, Chenghua as well as Ming jades and bronzes.
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