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They are less than 6” tall and 3” diameter. They are too small for brush holders, so I guess they are vases then. The circles are not perfect, and with finishing strokes. Hope the best, I guess they are Kangxi with our limited knowledge. Dear friends, please tell me your thoughts of them and why. Thank you.
As far as I know the blue background applied in brush strokes is usually a sign for Kangxi revival or later.
Birgit
I am not certain, but I feel these may be ok for late 19th c. I like the blue colour, the interior and the shade of the white; my slight concerns are the black marks on the foot rim but this foot rim is chunky, those kind of marks are usually a worry on thinner, finer porcelain pieces. Maybe the circles are a little small proportionally, too.
I think I have talked myself out of my first concern and the second is possibly me being fussy, so, yes, I will go with Kangxi revival.
Looking forward to other views.
Hi Yin,
Your vases you posted are highly probable to late Qing to early republic period in my opinion.
See the following examples. Kindly note the way the crackle is done. During the Kangxi period it was very fine and beautifully done. Later revival tended to have the crackle either very thickly done or as splash or simply brush strokes. New tends but not always have neither. Also note the degrees of cobalt blue and the intensity almost bluish black in some areas. As opposed to your washed out or softer blue.
It's vital that you compare genuine examples offered by sotheby's, christies or bonhams and listed as period. Carefully compare the cobalt, degrees of fineness of the crackle and the lifelike styling of the foliage. Now compare those same characteristics with revival or late Qing ones. Finally look at the brand new copies.
Nearly always Kangxi period will have sof flaws. Very fine scratches that are consistent with normal handling over the centuries. But be careful as fakers often try and imitate this often in the wrong areas!
Just my thoughts.
1.Kangzi period from the Edward T Chou collection.
2. Probable 18th century example from Catawiki (listed as 17th century).
3. A brand new example.
Hi Yin -
For comparison, attached image/description of a Kangxi jar/cover, Lot 25, Bonhams London 10 November 2003, from the collection of Anthony de Boulay ...
Note the differences in the overall painting style, ‘crack-ice’ motif and application/tone of cobalt. The vases posted are certainly not Kangxi period ...
I defer to Birgit’s, Julia’s and Mark’s thoughts on attribute dating ...
Stuart
not Kangxi. from what I learned from others on this forum. I think it's possibly late 19th. or even possibly early 20th c.
a big difference I have observed is the "branches." later pieces has these thick horizontal lines going across the branches to show some shading. but you can tell the branches are done in a not so careful way.
Kangxi pieces has more knots and twist in the branches. And more detailed lines on the branches.
Thanks Birget, Julia, Mark, Stuart and Ang. Love the details and pictures. We live in one of southern states in America, the estate online auctions usually group Asian or porcelain stuff as "lots" with only one or two pictures, most of time I will get a very good price with them, sold/ sale most of them on Facebook, Ebay or other channels, and also building up my own collections to study with. More items are coming, thank you so much for your input and sharing your knowledge.
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Kangxi vases, Kangxi dishes and chargers, Kangxi ritual pieces, Kangxi scholar's objects, Qianlong famille rose, Qianlong enamels, Qianlong period paintings, Qianlong Emporer's court, Fine porcelain of the Yongzheng period. Chinese imperial art, Ming porcelain including Jiajing, Wanli, Xuande, Chenghua as well as Ming jades and bronzes.
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