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Hey all,
I was able to get this today, it's a Japanese 6 panel byobu. The 4th panel in has split away from both sides but it appears to maybe have been reframed later on. Wall hanging attachments were added to compensate as the hardware appears later than the screen panels. The inside is hollow and each panel is very light. They appear to be traditionally crafted with sized washi paper per the hole in the back photo.
3 of the screens have small punches or tears measuring between a couple inches long to 4 inches long at its worst on the front. Back has a black cloth overlay with fraying and tears on a couple. Is this originally from mid-century? It's height is around 37.5" and overall width is about 8'1"
Hi Preston,
This is a wonderful example.
If you could decipher the signatures then perhaps you could define its age.
My gut feeling tells me that it's highly probable to be either late Meji period or Taisho period.
I think however that it's been remounted later which isn't that unusual.
Mark
I ran it through reddit translate and got this:
"Looks more like Chinese:
* 瑞鶴 Auspicious Crane
* 壬申 Renshen, could be 1992/1932/1872... See [sexagenary cycle]( https://en.wikipedia.org/wiki/Sexagenary_cycle).
* Seal: 王奇画印 Painting Seal of Wang Qi."
So that's a conundrum. Is there a chance this is actually Chinese?
Oh that's interesting.
I have never seen one like this done by Wang Qi. His works are very sought after and expensive.
Mark
@imperialfinegems yeah I can't find anything that he would've done something like this yet. On the surface, the seal doesn't really look like what he uses but I'll have something to dig around for a bit with it. If the age is right then this would put it around his time period so it's not entirely impossible I guess.
Has more of a Chinese feel to me and date seems to be more likely to be either 1932 or 1992.
George
@gfhandel i think you're right about the suggestion, and the age may be later correct.
While digging around i stumbled across a reddit forum with another user who had a Chinese Hong Kong export screen with a silk setting instead of goldleaf. The chop mark was very close if not was the same one, maybe a character smidgen off. So recent feels more telling, and Hong Kong exports were still pretty common into the 90s.
It was noted that these are usually found in similar condition as this set given the age and cost of repair, and thus it appears to be likely much later, ie the 90s as you mention. I think the patina is off, and more fresh. I think there should be more age to the damages given whats present in person as well.
Noting the cardboard and looking back at examples from the 1930s on artwork and old boxes, it would be extremely brittle at the punch marks on the back if this were original, and what i thought was washipaper is actually a poor tape job repair which just suggests lack of care over preservational quality.
There's also an underlying issue of how the goldleaf squares are placed. Noting kano and high quality settings through traditional works and examples; these are usually much more cleanly applied with careful precision. This one for example is very slapped together and maybe piecemeal in certain spots. That usually suggests rushed production rather than skilled craftsmanship.
I think it's from the 90s and Chinese too.
One other thing. I believe Japanese byobu rarely use cyclical dating as yours with the “Renshen” date. For Japanese Art with dating it’s more likely to see an emperor’s reign year.
Great discussion here!
George
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