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Why do fakers screw up the fakes.

 
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Brian Crowe
 Brian Crowe
(@lotusblack)
Illustrious Member
Joined: 4 years ago
Posts: 4239
Topic starter 18/10/2022 7:59 pm  

I have been wondering why fakers screw up the fakes. I have seen some many pieces that if they had just stopped trying to fake it the piece would have been so much better.

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945DE993 6E9E 414A AFC6 0B2E915F95F3

 


   
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Greeno107
 Greeno107
(@greeno107)
Illustrious Member
Joined: 6 years ago
Posts: 2875
18/10/2022 10:46 pm  

@lotusblack  Brian, there are a number of good reasons why fakes are not perfect copies.

First, reproductions that date prior to the 21st century often are flawed for two reasons: 1) lack of widespread knowledge of the technical aspects of the decoration/physical composition of period pieces, and 2) there was generally a lack of financial incentive to produce higher quality pieces.

From 2000 onward, China's economy really started to boom, and the spread of interest among wealthy business owners in China to build porcelain collections grew at an expodential rate.  Awareness that Chinese porcelains of value in the Western market motivated thousands to buy anything that came into the auction market - a feeding frenzy without sufficient knowledge of authentication took place.

So, while many fine pieces made it back to China from 2000-2014, a lot of average to low quality genuine pieces, and late 20th c. copies, made their way back to China due to the absence of sufficient knowledge.  

Meantime, Chinese porcelain makers saw an opportunity to capitalize on the frenzy, and began making better quality fakes, then injecting them into the Western market.  Given today's technology, and the depth of knowledge on traditional design and techniques, there is no reason why a perfect fake can not be made, but there are economic consequences to some fairly important people in China if perfect fakes enter the market place in large quantity.

Many business people who bought heavily during the frenzy lost their shirts, having spent millinos on fakes.  A natural retraction of the market took place and continues today.  However, the high quality fakes (those that are extremely convincing in photos) had already entered the market, dealing another painful blow to collectors looking to re-patriate porcelains back to China.

The whole sitation has created a serious problem for Chinese collectors who were struggling to distinguish fakes from genuine.

So, my theory is that there is some form of unwritten agreement (collusion) between the makers of forgeries and collectors in China, that a sbutle 'tell' will be built into the object, and that 'tell' will be communicated to those collectors at the highest tier.

I suspect these 'tells', what you describe as a flaw, get leaked to the general public over time.

Sounds like an sinister and elaborate scheme that just couldn't be true?  Just how many hundreds of millions of dollars of Chinese antiques are sold each year?  There is more than sufficient financial motive for this kind of market manipulation.

 

 

 

 


   
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William Huvar
 William Huvar
(@william)
Noble Member
Joined: 5 years ago
Posts: 661
18/10/2022 11:55 pm  

I have always felt that contemporary Chinese potters have missed out on creating a contemporary, international ceramics scene.  My suspicion is that a lot of talent is tied up with high end fakery.  I don’t collect Japanese or Korean ceramics, but even I know there are artisans producing some wonderful contemporary ceramics that have even found their way into museum collections.  
Does anyone know of or have seen any impressive contemporary work by Chinese potters?  I would love to see some pictures.

.

 

 

 


   
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3Dart1
 3Dart1
(@3dart1)
Trusted Member
Joined: 7 years ago
Posts: 29
19/10/2022 1:39 am  

@william A very interesting point, I think the world is missing out on some great work that could be created. Bernard Leach created pottery that was indebted to song models (among many others). I recently purchased a modest Korean jar that was a brother to one in Leach's collection with the intent of studying it to gain inspiration (not to copy it but to use it as a starting point for new work). The returns for the potters who would make their own works would be less, and the middle men would make much much less (and for this reason I do not think we will be being a lot of late PRC dynasty work). But it would be a better life for the potters, and a better product for the collectors. Be well.


   
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 Ming1449
(@ming1449)
Illustrious Member
Joined: 6 years ago
Posts: 2706
19/10/2022 5:53 am  
05B6496B CD65 4E88 AD57 9602B3EF4592

@william 

Hi William - 

Attached images from an exhibition held  November 2014 to May 2015 in the UK on some present contemporary ceramists based in Jingdezhen. Biographies and images of 7 of the 20 artists included … 

Stuart 

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05F8CC80 7A69 4AE8 9387 C801F2E1CCF8
8B435B57 83A1 4B75 B9BE 8088D32175DA
3FDDAA52 9078 49BD AE8F 3948936DF451
827E451A EFE5 4A4C 8FB6 A6EC9939FBD8
B046CDE6 8D71 4222 9C61 1B61B067F328
7411994A 7518 4659 83BA 11EA7ACD2532

   
Jg1133, Adams Asian Art, William Huvar and 5 people reacted
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 johnshoe
(@johnshoe)
Illustrious Member
Joined: 6 years ago
Posts: 4436
19/10/2022 10:18 am  

@william Bill, if you haven't already seen the video I recently posted a link to in the video section below about modern ceramics you might find it interesting to watch. John


   
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Jg1133
 Jg1133
(@jg1133)
Prominent Member
Joined: 5 years ago
Posts: 325
19/10/2022 3:20 pm  

@ming1449 A great article I found on this show:

https://www.theglassmagazine.com/ahead-of-the-curve-new-china-from-china-at-bristol-museum-art/

Really amazing stuff! I particularly like this one:

image

   
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William Huvar
 William Huvar
(@william)
Noble Member
Joined: 5 years ago
Posts: 661
19/10/2022 4:26 pm  

@jg1133 

I have never seen irony used in antique Chinese ceramics.  Not surprising to see it used in 21st century ceramics.  Are those bottles actually hand painted?


   
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Brian Crowe
 Brian Crowe
(@lotusblack)
Illustrious Member
Joined: 4 years ago
Posts: 4239
Topic starter 19/10/2022 5:21 pm  

So I had someone tell me this dish is an Japanese dish from the Meiji period imitating Chinese porcelain. This might explain some of my issues with the dish. Or is it Japanese faking Chinese wares.


   
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Jg1133
 Jg1133
(@jg1133)
Prominent Member
Joined: 5 years ago
Posts: 325
20/10/2022 8:13 am  

@william They are!


   
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 DannD
(@fuantiques)
Estimable Member
Joined: 4 years ago
Posts: 87
25/10/2022 3:06 pm  

@jg1133 The artist that did the cleaning products in porcelain also made some B&W versions as well which was an absolutely creative take. They go for thousands now. Look at THIS PIECE at Sotheby's monochrome auction coming up, I watched the video Sotheby's put out about this auction and the woman described the painstaking detail the artist took to make the sheets look like paper and making them so thin layering them one by one and then glazing the entire piece. I agree with everyone, Chinese really need to step up on the modern ceramics scene.


   
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 Charlotte Ritchie
(@charlotte)
Honorable Member
Joined: 5 years ago
Posts: 268
25/10/2022 5:21 pm  

I realize this probably seems idiotic to seasoned collectors, but I really struggle sometimes detecting what’s transferware and what isn’t, especially with some Japanese vases that are late 19/ early 20th century. First of all, I didn’t even realize that transferware was possible on vases, and the very thought of it just repulses me. I have zero interest in buying something that is mass produced or made by transferware. Can anyone shed some insight here? I feel kind of embarrassed for asking, to be honest. 


   
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 Julia
(@julia)
Illustrious Member
Joined: 7 years ago
Posts: 7235
26/10/2022 2:41 am  

Not idiotic at all Charlotte, it can be difficult at times, especially if you only have photos.

The best thing to do is look at lots as they will have features in common that you can train your eye to recognise immediately. Such as the tone of the blue, a slight fuzziness and lack of personality, if that makes sense. 

Then there are technical issues, such as broken patterns, missing lines, mismatched ares where you can see "joins" and areas where it has either overlapped the edge in places or not reached the edge. I have lasted 2 below that show these things. For example, if you look at the plate, you can see a gap between the pattern and the rim on one part, which suggests it was not perfectly positioned; on the vase the pattern colour looks like it has bled into the white areas.

https://www.lelandlittle.com/items/277941/a-japanese-imari-vase-and-transferware-porcelain-plate/

https://www.etsy.com/listing/893428601/rare-antique-japanese-transferware


   
Sharon P, William Huvar, RAHawk and 2 people reacted
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 Charlotte Ritchie
(@charlotte)
Honorable Member
Joined: 5 years ago
Posts: 268
26/10/2022 12:34 pm  

@julia Thank you SO much Julia, you are most kind and thoughtful to reply. Your explanation helps me a lot! I’m a bit confused by the Imari vase. Is that ALSO transferware? If so, wow, to me it looks shockingly hand-painted, and I could easily have fallen for it because I find it to be very attractive 


   
Julia reacted
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 Julia
(@julia)
Illustrious Member
Joined: 7 years ago
Posts: 7235
26/10/2022 12:52 pm  

You are very welcome and yes, it is transferware, but still a very nice piece.  If you have a good look at it, you will see unfinished areas and fuzzy lines; it also has that kind of grainy look to the blue, which is quite a give away - and no brushstrokes. 

If you keep looking for more online and enlarge the pictures for a good look, you will soon find that you start to recognise transferware more easily.


   
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