BidAmount Asian Art News

Auctions Of Chinese and Asian Art, Auction Results News

  • Home
  • Weekly News Letter Page
  • The Forum
  • YouTube
  • plcombs Asian Art
    • Visit plcombs-Chinese-Asian Art
    • About, plcombs Chinese-Asian Art Antique Dealer | Massachusetts
  • About Us
  • Contact Us
  • A Few Site Pages
  • Recomended Books
  • Blog
  • Sign Up-Global Member Pages
  • Sign In-Global Member Pages
You are here: Home / Chinese Art History Research / Yamanaka Auction Catalog of Chinese Antiques

Yamanaka Auction Catalog of Chinese Antiques

June 30, 2015 By plcombs Leave a Comment

ON FREE PUBLIC VIEW AT THE AMERICAN ART GALLERIES

MADISON SQUARE SOUTH, NEW YORK

BEGINNING THURSDAY, FEBRUARY 3rd, 1916

AND CONTINUING UNTIL THE MORNING OF THE DATE OF SALE, INCLUSIVE

THE

YAMANAKA Auction 

OF CHINESE AND JAPANESE TREASURES OF RARE ARTISTIC DISTINCTION

UNRESTRICTED PUBLIC SALE

AT THE AMERICAN ART GALLERIES

ON MONDAY AND TUESDAY AFTERNOONS

FEBRUARY 7th AND 8th, 1916

BEGINNING EACH AFTERNOON AT 2.30 O'CLOCK

AND

ON TUESDAY EVENING, FEBRUARY 8th

AT 8 O'CLOCK

PREFATORY NOTE—JAPAN IN A NEW LIGHT

True to their custom, the Messrs. Yamanaka & Company have brought together this year a carefully selected number of the works of Chinese artists and craftsmen of past ages, and issue—as has come to be expected of them during the winter's art season—their annual invi­tation to inspect such Oriental works of art and compete for them at public sale. They have made a departure, however, in assembling at the same time two distinct collections of works of Japanese art and craftsmanship, of a nature which can but come largely as a surprise—I believe a welcome surprise, the welcome none the less assured where by reason of possible familiarity the element of surprise is lacking.

The Chinese productions include some remarkably fine jade carv­ings and handsomely arranged miniature gardens of jade and semi-pre­cious stones, a small number of very large jardinieres in pottery and porcelain, and a few more of the palatial Ch'ien-lung birdcages whose beauty and elaboration of adornment have found high appreciation here in the last two seasons, since the Yamanakas introduced the country to them.

An entirely new Chinese offering is made,—new in character, here,—in a Ch'ien-lung cloisonné enamel cage or house for a pet dog, and other antique Chinese cages in lacquer carving, equipped with appointments for similar service.

Akin to the Chinese work in jade, yet of a character distinctly their own, are a few Thibetan jade carvings; and wholly different from Chinese art in painting are a number of paintings from Thibet,—Lamaistic compositions whose peculiar attraction in age-softened colors is not lessened by their mysticism. There is also an assemblage of Chinese, Japanese, Corean and Indian Buddhistic carvings.

The distinct novelty of the exhibition is the collection of Japanese dolls. While toys, they are more than toys. The doll in Japan is an institution. Two festivals a year are given to its celebration, tme for boys, one for girls; and great attention is and has been for ages paid to the elaboration of the doll as an artistic object worthy of notice and care from palace to hut. Certain dolls were restricted to noble houses, lesser people not being permitted such display of luxury.

Those who at the announcement of a doll collection bring to their minds the Japanese dolls of export commerce, sold here today as chil­dren's playthings, can but open their eyes to new conceptions on seeing those of age-long preservation assembled from various parts of Nippon and in many instances figuring the legend and history of the land and people. In large part they are for the cabinet rather than for chil­dren's play ; there are collectors of dolls, in Japan, as of porcelains or potteries ;—there are one or two collectors of these Oriental dolls in this country.

Because of the relative unfamiliarity of these productions it has been ventured to offer short introductory or explanatory notes in con­nection with the different groups.

Similarly, a brief introduction prefaces the collection of screens, —which in Nippon are interior decorations highly valued as works of art, not the masks of a secretive utilitarianism. Those here assem­bled, in the beauty and range of their conception and the power of their execution, offer the rich chromatic pictures of a "dream of Old Japan."

DANA H. CARROLL.

NEW YORK, January 25, 1916.

To enlarge the Book to FULL screen click the tab as shown below in the Book Frame and "More Options" and then "enable Full Screen"

Untitled-1


 

The Yamanaka Auction of Fine Chinese and Japanese Art

A few Excerpts of some of the fine things sold back in February of 1916 during this Yamanaka Auction

Cinnabar, Amber and Coral Snuff Bottles

Cinnabar, Amber and Coral Snuff Bottles of the Qing Dynasty

No 8—CINNABAR LACQUER SNUFF BOTTLE (Eighteenth Century) Flattened globular form on low foot, with abbreviated neck. Carved in bold relief with a sage and attendants among pine trees and rocks, on a ground of incised angular grill. Cinnabar lacquer stopper carved as a chrysanthemum.

No 4—AMBER SNUFF BOTTLE
Elongated bulbous form with embryonic foot and short wide neck. Translucent brown amber with mottlings of rich black. Carved on all surfaces, in bold relief, with landscape and waterscape, pine trees, rocks, a summer house and a bridge, and figures, among them Tai Kung Pou, the famous fisherman-philosopher who fished ever without hook, partly to escape an importunate wife, partly to evade Imperial preferment and have time and opportunity for his reflections. Stopper of clear golden amber carved in open-work with birds and blossoms. Height 4 Inches

No 5 CORAL SNUFF BOTTLE 

Bulbous form of ovoid contour, with sloping shoulder and minia­ture foot; amethyst stopper. Carved in low relief, on one face with a four-clawed dragon in pursuit of the flaming disc, which appears above a carp leaping from waves, and on the other face with a monkey swinging from a pine tree and scaring a horse, which, rolling, seems also to be concerned with some bees that are buzzing around, their nest being seen in the tree overhead.

_____________________________________________________

86—FEI-Ten JADE CENSER

Spinach jade Chinese Incense Burner

FEI-Ten JADE CENSER, Spinach jade Chinese Incense Burner

Height, 5 inches; width across handles, 7 inches.Cauldron-shaped but lobed in melon-form, on a low flange foot of foliate outline in conformity with the lobes; two phoenix-head loop handles, undercut and pierced, supporting loose rings. In­setting dome cover, solid, with a broad knob finial carved and pierced in the form of a coiled dragon in possession of the jewel of omnipotence. The whole exterior of body and cover carved in low relief with floral designs and scrolls, of lotus origin, the flower highly conventionalized. Clouded emerald-green jade of varied note, with streaks of brown ; translucent, and when held to the light the deeper green cloudings appear as soft as the richest moss of the woods. Bright polish.

____________________________________________________

86—JADE AND AMBER PEACH TREE IN CLOISONNE JARDINIERE

Long and slender, delicately curling leaves of brilliant green jade, the veins engraved, and eleven of the peaches of longevity

Yamanaka Auction Catalog of Chinese Antiques

JADE AND AMBER PEACH TREE IN CLOISONNE JARDINIERE

.5-50-' in clear brown, light golden and clouded amber. Below shrubs in white jade, malachite and carnelian, a lapis rock, and a stag in brilliantly polished white jade, holding a fungus stem in his mouth, the branch resting on his back. Pink coral ground. The gilt jardiniere is octagonal in its broad rim—an oblong with chamfered corners—and the metal surfaces both of rim and body are ornamented with foliar scrolls in relief, the rim having an incised fret border on its outer side. The con­tour of the body is ovoidal, recurving to the expanded rim. On each of the eight faces is an applied panel of fine cloisonné enamel, of lapis-blue ground, the ornamentation bats, emblems, and conventional lotus designs in green, white, yellow, black, turquoise-blue and dark vermilion. Four scepter-head feet.

Height bf jardiniere, 43/4 inches; length, 9yt inches; width, 81/4 inches; total height, 183/4 inches.

___________________________________________________

133—GRAND BLUE AND WHITE JARDINIERE (Chia Ching)

GRAND BLUE AND WHITE JARDINIERE

GRAND BLUE AND WHITE JARDINIERE, Jiajing Period

Sonorous porcelain, with broad flat bottom and wide mouth, the contour very slightly ovoidal—somewhat in Chinese drum shape, a suggestion further implied by deep borders at base and top, in segmental pattern with discs indicative of the clamps used for tightening the integument. Decorated between the borders with four Fu-lions sporting with the conventional brocaded balls, in rich, deep, Mussulman blue. Under the lip is a narrow conven­tional floral scroll border. Just below the upper compart­mental border is the six-character mark of the reign, penciled in the same deep underglaze blue of the principal decoration. (Bottom repaired.) Has carved teakwood stand.

Height, 24 inches; diameter, 291% inches.

To see more on this Yamanaka auction including prices realized, enlarge and browse the original catalog above.

Filed Under: Chinese Art History Research, Chinese Art reference Books

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

“When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.”

epn ebay partner
Bidamount is a member of the eBay partner network, eBay is a registered trademark of eBay Inc. Use of this Web site constitutes acceptance of the Bidamount User Agreement and Privacy Policy. Bidamount, 185 Main Street Suite B., Gloucester, Ma. all content © 2006–2025

proudly powered by WordPress | web design by smallfish-design