The Chinese and Asian Art Forum. For Fans, Collectors and Dealers.
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Hi All,
So, here are a couple of items that google lens AI tells me are Kangxi, but I am highly dubious, especially about the first one. Just a couple of examples of why I don't trust Google AI!
So the first one is a Chinese peachbloom water pot, of which we have all seem many. Google assures me that this has all the signs of being a real Kangxi piece of porcelain, no matter how hard I push it. As I add extra photos, be becomes more and more certain. It says the glaze is great, the foot rim is fine, and the little steps at the bottom the glaze line are perfect. I, on the other hand, think it was made yesterday, and would not have bought it, had it been more than $5. The mouth seems incorrect, too widely flaring. The foot rim seems incorrect, and there is no sign at all of wear. The only thing that makes me think it might have a little age is the frosting and minor mineralization on the white mouth. What do you think?
Here is the second. Google AI tells me confidently that this is a Kangxi Bataviaware (I found 4 of them) bowl, based on several photos I uploaded. It tells me that the color, design, and foot rim are diagnostic. However, I would have bet that they are late 19th century Kangxi revival. As far as I can tell, Google AI only dates them as Kangxi because most sellers online call them that. The bowl aren't worth enough to be sold at a reputable auction house, so I can't find a reputable source. What age do you think they are? Now these bowls COULD be Kangxi, but can anyone be certain, and if so, why?
I am posting these mainly to make the point that Google AI, while it has improved tremendously, especially with respect to translating Chinese and Japanese, is still terrible at actually identifying and dating Chinese porcelain. The fact is, it pulls a lot of garbage off the internet, and reaches conclusions based on that unqualified information. Have any of you had similar experiences?
Thanks,
Charles
Yes, I wouldn’t rely on it, it can't discriminate between the correct and incorrect info it bases its conclusions on. It always pops up on my image searches now - with a disclaimer as to the accuracy of its opinion. However, sometimes it can be correct or offer useful leads, so I always glance at it.
Dear Charles,
I doubt your water pot is Kangxi, and personally, I wouldn't describe its glaze as peach bloom. But may I ask what its diameter is?
As Birgit and Julia have commented, AI hasn't quite replaced the human race just yet, at least not when it comes to appraising early Chinese porcelain.
Best wishes,
Alan
Hi Charles -
I can only add that the overall shape and proportions of the water pot are incorrect for Kangxi, and the colour does not exhibited the known peach bloom glaze characteristics seen on authentic pieces …
I would also add that AI, no matter how good it becomes, will never be able to describe the difference between a genuine example, later pieces produced in veneration, later pieces made as copies, and more recently examples produced as copies or fakes when personal seen, held and closely examined …
Stuart
Hi Sharon, I've been looking into AI for quite a while, and use Google AI and also ChatGPT. I have subscribed to ChatGPT which means that I can give it restrictions. For example, when I ask it a question, it is not allowed to look at forums, auction house listings etc to gather information. It is only allowed to look through Museums, accredited experts and the three major auction houses. It is also not allowed to express an opinion. Furthermore, it has to send a link to every research paper, Museum publication, etc where it has quoted an authority. This is very restrictive and filters out a lot of rubbish that's out there. What I like about my AI model is that I can double check everything it says when I'm researching. Therefore when I ask it a question about a charger and it says that the Arita Museum says "XYZ" then I click the link and read exactly what the Arita Museum says. Still there are errors but that's fine. It's only a computer program. Both Google AI and ChatGPT both tell me that for Japanese porcelain the algorithm is written to describe items as Meiji or Vintage because the probability is that pieces of this era are likely to exist rather than much older pieces. So the algorithm is weighted towards those descriptions. They also collect information from descriptions which themselves have been written by AI for sellers on eBay and other platforms. This then reinforces the errors until AI treats them as facts. Another important fact is that both AIs tell me that they are unable to tell between the different 'hues' and subtle colour tones and that I should always defer to a human opinion.
If I'm looking at something for sale on eBay, I do two things. First I copy and paste the description in ChatGPT and then ask it if it was written by AI. It then scans the description and gives me a probability score - 66% certainty, 90% certainty etc and also the reasons it came to that conclusion. If there's a high probability that it's written by AI I can completely disregard that description and start my own research. Secondly, I look at what other items the seller has. If it's a general dealer then I'm thrilled. It's a Godsend to someone like me because there are so many misidentified items out there. I hope this helps, it's an interesting topic.
Thank you and yes, it is an interesting topic and somewhat terrifying, "sing it again HAL."
You have found a way to make a useful tool of AI by setting parameters and limitations. It is my fervent hope that it remains an assistant.🙏
Dear Charles,
Your original post has prompted some valuable discussion, most notably on the merits or otherwise of an AI-assisted approach to connoisseurship. In the wake of this discussion, a question that I asked earlier is at risk of becoming submerged, so let me ask it again if I may. What is the diameter (across the base) of your water pot?
Best wishes,
Alan
Hi, Alan.
Sorry for the delay. The water pot is a shade under 5 inches across at the base; about 12 cm. I would agree with the comments above--I would never have ID'ed that color as "peachbloom"; it is a particular shade of orange red that I have come to associate with modern Chinese ceramics. I never thought this was anything but modern and was shocked and a little horrified when Google Photos AI (which uses the Google Gemini AI program), told me that it was Kangxi! In a way, it is good--what is the fun of collecting if it requires no special knowledge?
Charles
Dear Charles,
Thank you for that additional detail about the diameter of the base.
I was rather hoping that it would be somewhat less than around 12cm, which is the approximate width of the true Kangxi peach bloom examples, and I remain with my view, like that of the other Forum members who've posted above, that your pot isn't Kangxi.
However, why I was hoping to hear that the diameter of yours was somewhat less than it is, was because there is a small group of high quality copper-red glazed water pots, like yours bearing no reign mark, which have been dated to the Yongzheng/early Qianlong period, and I was wondering if it could associate with any of them. The only example I can instantly turn up was sold by Nagel, Stuttgart (5 November 2010 sale), but this had a smaller diameter, the sort of size that I was hoping yours might have had. (You might care to turn it up and look for yourself.)
That said, in other respects, I find myself hesitating before dismissing outright the possibility that your pot may be an eighteenth century case. Could you also describe the feel to the touch of the exposed paste on the foot rim?
Best wishes,
Alan
Hi Alan. I know what you are asking. It feels smooth, but doesn't have the soapy-smooth feel of early 18th century porcelain...
Dear Charles,
Thank you for checking. The major concern here would be that the paste should not feel positively coarse to the touch; while it is very hard indeed to form a reliable impression of such a thing as physical sensation based solely on a verbal description, what you have described seems nevertheless as if it could still fall within acceptable bounds for early eighteenth century ware. It is certainly not invariably the case that early eighteenth century ware (if by that we may also include the Yongzheng period) had the silky smooth texture of which you are aware. Though that is an encouraging thing to find, it's not a sine qua non.
Best wishes,
Alan
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Kangxi vases, Kangxi dishes and chargers, Kangxi ritual pieces, Kangxi scholar's objects, Qianlong famille rose, Qianlong enamels, Qianlong period paintings, Qianlong Emporer's court, Fine porcelain of the Yongzheng period. Chinese imperial art, Ming porcelain including Jiajing, Wanli, Xuande, Chenghua as well as Ming jades and bronzes.
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